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INTERNET LIVE, THE NEW NORMAL 

Hello everyone. Hope you are all safe at this time. The newest dimension that is now a fact of life for all of us in music are the LIVE PLATFORMS on FACEBOOK, TWITTER, and all other Internet platforms. At this point for the past few week and on into the future are millions of artists, writers, are live video concerts, single songs, messages on internet, via, camera phone, computer, or video camera. AS social distancing has become a life and death situation, live venues have closed down, concerts are on

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PRACTICAL APPLICATION OF NASHVILLE BY THE NUMBERS 

Nashville is two things:

THE ART OF THE HANG: Getting to know people, socially, guitar pulls, writer’s nights, educational opportunities.

ART OF THE REFERALL: Co-writers, publishers, song-pluggers, PRO’s, record companies.

 

FOUR ELEMENTS OF THE TOWN

  1. CREATION OF THE SONG
  2. PRESENTATION OF THE SONG (LIVE AND RECORDED)
  3. NETWORKING
  4. BUSINESS

Getting Attention
CREATION OF THE SONG

Being Unique and interesting

Say the same thing differently

Avoid overused thymes and titles, clichés, subject matter

Keeping Attention

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MAB LYRIC WRITING TIPS AND TRICKS 

Nashville is two things:

THE ART OF THE HANG: Getting to know people, socially, guitar pulls, writer’s nights, educational opportunities.

ART OF THE REFERALL: Co-writers, publishers, song-pluggers, PRO’s, record companies.

 

FOUR ELEMENTS OF THE TOWN

  1. CREATION OF THE SONG
  2. PRESENTATION OF THE SONG (LIVE AND RECORDED)
  3. NETWORKING
  4. BUSINESS

 

Getting Attention
CREATION OF THE SONG

Being Unique and interesting

Say the same thing differently

Avoid overused thymes and titles, clichés, subject matter

 

Keeping Attention

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TO GHERM OR NOT TO GHERM, THAT BE THE QUESTION 

Duane Blackewell, A CAUTIONARY TALE

I have always been a VERY DYNAMIC PERFORMER. It has always attracted people, particularly hit writers, to me. I've always been the "BIG BANG" people would put on their shows, and I also had a few good cuts that even the hit writers were attracted to. I hold my own pretty well in all this. Just had a lot of things that didn't work out. 

In 2000, I was doing a bunch of shows, in town and out of town. I also was starting to do the NSAI groups and one of the ones I did was

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WHAT’S THE POINT-ISM? 

This morning, as I sat outside in my usual “WHAT THE CRAP IS HAPPENING TO MUSIC?” Mood, I went through something that I see every one of my contemporaries, and anyone who has ever been involved with music, thought about being involved with music, or pretty much any form of artistic expression:
                                                                       “WHAT’S THE POINT-ISM”
 

“I’ve written all these songs, and many are really good, but no one will ever hear them at all…”

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IT'S ABOUT TIME - WRITERS NIGHT CONUNDRUM 

This is for people who are starting, attempting, PLAYING writers nights, open mics, talent nights, contests, Auditions, etc. 

 

BE AWARE OF YOUR TIME!!!!! 

It happens all the time. You have a particular time slot and tell all your friends, family, social media, etc. that this is when you are going to be on. Many show up even though they have WORK (that thing we used to do) in the MORNING. They all get a table (or tables) and are ready for your big shot. Then, the writers BEFORE you, start going on and on about

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Songwriters Festivals and how to Play Em' 

               MAB’S MUSICAL STUFF: 

               SONGWRITERS FESTIVALS AND HOW TO PLAY EM’ 

I found out last Friday, that I was going to be included in the upcoming GATLINBURG SONGWRITER’S FESTIVAL, August 19-22 of this year. This was very nice because I had forgotten I SUBMITTED, for the Gatlinburg songwriter’s festival so it was very nice and an honor to be included. I had done the SMOKEY MOUNTAIN SONGWRITERS FESTIVAL for five years but when the founder, Cindy Montgomery died two years ago, I did not

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THAT'S MY NICHE AND I'M STICKING TO IT (THE ONGOING SAGA OF SCOTT SOUTHWORTH) 

                            THAT'S MY NICHE AND I'M STICKING TO IT 
                          (THE ONGOING SAGA OF SCOTT SOUTHWORTH) 

                                                                   3-23-21 

One of the hardest things to convey people from all over the world, trying to make forays into the music business, particularly those of Nashville, New York, Los Angeles, Austin. Toronto, etc. (music centers), is how much WORK it is to a music career these days that is "OFF THE FIELD", away from

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WHAT'S GOING ON AND DO I WRITE ABOUT IT? 

Here we are in the age of Covid, elections, and about every part of unrest we have ever seen. I guess it's the "END OF THE WORLD AS WE KNOW IT." Do we feel fine? That remains to be seen I guess.

As for me, I try to keep my mind on music and my participation in it, and use the overall world as the backdrop for my comments. The focus of this blog is about SUBJECT MATTER and different ways to look at that. 

Songwriters often will first go for the NEGATIVE, in every situation. We don't hold jobs well, we don't

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WHAT'S THE POINT? 

I was talking to a fellow today from New York City, who has been going through a very familiar situation to anyone who does music.

WHAT IS THE POINT?

I mean, we have to be realistic in all of this. We're in a world of DREAMS. Every writer, musician, producer, artist, manager. promoter, you name it, are just really MAKING STUFF UP. And being able to MONETIZE that is becoming harder and harder every single day. Here are some things to keep in mind:

THERE ARE APPROXIMATELY 30-60 MILLION artists, writers,

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"I'VE GOT SONGS , WHAT NEXT" 

One of the things that pretty much consistently I get is "I've been writing songs, now what do I do with them?" Many people "think" they are writing songs, only to find out they have only poetry (lyrics only) or have songs that totally don't fit a format, don't have any allies within the industry, are too long, negative, personal statements, out of date or time, or just plain not good enough to go forward. Most people that have only written a few songs don't know this, and even though their families,Read more

ONE CHANCE TO MAKE A BAD FIRST IMPRESSION 

                                                             ONE CHANCE TO MAKE A BAD FIRST IMPRESSIONS 
                        BEING PREPARED FOR NASHVILLE STYLE WRITERS NIGHTS,OPEN MICS, AND AUDITIONS   By MAB 
  
In the current era of music, one of the most common events for performer and writer wanna be’s are OPEN STAGES, OPEN MICS, SONGWRITER’S NIGHTS OR SHOWCASES, as well as the dreaded AUDITION process, for everything from reality shows, contests, and the first and continuous steps of a performing

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Santa, Can I have a Cut for Christmas 

                                                SANTA, CAN I HAVE A CUT FOR CHRISTMAS by MAB 
  
Every year, kind of like clockwork, people go through their “NEW YEAR’S RESOLUTIONS” and of course with songwriters, it always includes, “THIS IS THE YEAR TO GET MY MAJOR LABEL CUT!” I understand all the “Norman Vincent Pealeism’s” of “The power of Positive thinking, and all, and do understand the propensity to “If I put it OUT THERE in the UNIVERSE it’ll happen. Yeah, I know that one well. Every year when I used

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CELEBRATE EACH VICTORY 

CELEBRATE EACH VICTORY! By MAB 

Over the past two days I have written on the subject of the difficulty of getting major cuts in this day and age. It is hard even for "inside" writers and publishers to get them and ESPECIALLY hard for independent, non-connected, OUTSIDE writers. There are a LOT of steps, aside from writing the songs themselves, getting them recorded, getting inside people to pay attention, being patient, building and maintaining relationships, all have to be done and have to be done

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Music Outsider's Insider 

MUSIC OUTSIDER’S, INSIDER 
By MARC-ALAN BARNETTE 

  
This Is going to be written for people from outside Nashville, or those trying to find out about the “inner circles” that they are going to have to be involved in to advance in their careers. Most are pretty much common sense, like “BE POLITE” but sometimes need to be reminded. Let’s go. 
  

HOME IS WHERE THE HEART IS 

Most people preparing for a career in music (whatever that is these days) are always concerned about the “Big time.” All they seem  to…

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The Chili Pepper World 

The Chili Pepper world
Hello folks,


I thought since a lot of people here don't live in Nashville, don't care to, or even some don't make trips, it might be interesting to share an experience with you of some people that are "finding other ways" around the normal conventions in music. 

The subject is a group of people I work with called "THE CHILI PEPPERS SONGWRITING CLUB' and they are located in Kalamazoo, Michigan. I was just up there for their 5th Anniversery, did private meetings, teachings, writing, and aRead more

"CAN'T GET ENOUGH OF THAT MAB!!!" (QUESTIONS PART II) 

Since some of our guys are a little more exhuberant, and want follow ups, I thought I would post those as well:

#1. "When you say 'relationships', MAB, I assume you mean writing songs about past relationships, and 'love songs gone wrong' songs. That makes sense because that is mostly what I hear when I listen to someone performiong in a coffee shop or a show at a writers room during a visit to Nashville."

A. Not, exactly. I am talking writing, performing, networking 'RELATIONSHIPS." Those are with other

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Writing What you Know 

WRITE WHAT YOU KNOW, WHAT YOU SEE, AND FIND THE TWIST

Since we are on the subject of writing, I would like to answer to Matt’s comment on “writing what you know” and Jimmy’s “conversational, and in addition, the “paying attention to small articles In the news on television and in papers as well as “writing for artists. I am going to break down the surrounding issues of all of these in one of my favorite songs written with Allen Shervelle, and Bonnie Lee Panda. I believe It demonstrates all four of these.

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15 questions from "OD" 

MAB’S SONGWRITNG 101
A friend and client of mine, Mr. Steve Harris, of Columbus Ohio, asked a few questions he wanted to know when he started this songwriter’s journey. I thought his questions summed up what most newbies need to know. Hope they help. Thank you OD. (Steve)

1. I have some poems that my friends think are pretty good and my family thinks are GREAT! What should I do with them?

Everyone has a parent, grandparent. Teacher, friend, who love them and think everything is BETTER THAN THAT CRAP ON THE
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The "NASHVILLE BAR" 

                                                                                              "The NASHVILLE BAR."


When writers and artists start getting into songwriting in a more realistic and competitive way, traveling to Nashville, getting on web sites, learning the realities, they start to hear a term, "the Nashville Bar." What does that mean? Well aside from the clubs and bars that us writers hang out in, there is a very real term that speaks to the QUALITY OF SONGS AND SONGWRITERS. But what does
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SEARCHING FOR SUBJECTS 

There is nothing quite as deflating in songwriting as working for months on some song, writing, re-writing, tweaking it, getting critiques, playing it out, showing your family, and getting it PERFECT, and then going to a writers night, and hearing five to eight people do virtually the SAME SONG, with the same point of view, same rhymes, same message, similar melodies. Or sitting down with some industry pro, BMI, ASCAP, SESAC, NSAI, publisher, private appointments, and having them calmly turn it off in the…Read more

The Way to the 'Deal' 

THE WAY TO THE DEAL
(HOW DO PEOPLE GET “DEALS” ANYWAY?)
As people start their journeys in the music business, they always want to know about the people at the top of the pyramid, and “how did they get there?” Or “How did that song get on the radio?” Usually those are about as interesting stories as the songs or people themselves. I have kind of a general outline of how these things work. Not always true, but more often than not they are.

We call Nashville a “Ten Year Town.” Mostly, because that is the
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Avoiding "Short Shelf Life" syndrome 

Here is the senario.

Someone sends you a link to a song, video, etc. The song is really cool, well recorded, but for some certain television show that is out there currently. Or for a cause, National calmity, emergency, (Hurricanes, Global Warming, 9-11, War, am starting to see the "SANDY HOOK" School shooting" songs). Now remember, it is a cool song, well written, good melody, nice video. They ask  "WHAT's NEXT?"

The answer is "Maybe nothing." If they are promoting it, getting it on YOU TUBE, FACEBOOK,
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WRITING THE "TRUTH" 

THE TRUTH


Since we've kind of swerved into a subject here, and I need a new blog post, I thought I would post one of my long one's on a subject that can address a lot these other posts. Writing the truth.


The past few pages all can touch on this. From Matt H's observations on why it is so hard for him to focus on what he wants to and the desire of so many to "write for the cut or the hit," Matt C's list of songs and artists he really admires, my own mention of Sir Mac, the efforts Dana mentions about how…Read more

THE "TAYLOR EFFECT" 

The biggest thing we hear in the music business these days are the effects of what I call "The  Taylor Effect." These are the amazing things that artist phenom Taylor Swift has created in the music industry.
Since she came to the forground five years ago, she has become the standard all young, female artists are judged by and who they all emulate at this point. I can't go anywhere without encountering some 13-17 year old, with her "Momager" in tow, trying to impress me as to how they are the "Next Taylor."
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